As you may know, I will be one of the invited guest artists and demonstrators for the 2020 Plein Air Convention & Expo in Denver this May. As they say, this isn't my first rodeo—so I will be preparing for my demonstration, as I always do.
How do I prepare? First, by figuring out what aspect of plein air painting I want to demonstrate. Second, by choosing appropriate subject matter. Third, by practicing my demonstration beforehand. And finally, by making a checklist of things I need to take.
Figuring out what I want to say isn't too difficult. Having been teaching plein air painting workshops for nearly 20 years now, I have a fairly clear idea of what information would be most helpful to people.
Choosing subject matter is a little more difficult. Even though I'll be up on stage with TV cameras showing the audience close-ups, I want the painting to have good contrast, simple shapes and maybe even a little drama. The subject also needs to allow me to demonstrate what it is I want to show.
In some ways, the most important part is the practice session. When I went to Cincinnati several years ago to shoot my three instructional videos for Artists Network, you can bet I didn't show up cold. I had practiced until I felt the demonstration would go smoothly. I don't want to stumble because halfway through I've realized the composition doesn't work or my color choices are wrong. Plus, I want to practice what magicians call “patter”—what I'll be saying as I paint.
The checklist is important, too. I don't want to forget some small but essential item for the demonstration. But I'll also have on my checklist promotional items such as business cards. A person might not forget me so readily with a business card in his hand. After all, there will be over 80 invited guest artists demonstrating!
If you have been asked to give a demonstration to your painting group or art society, I think having a plan like this—a plan that includes practice—a good one.
