I had over 90 responses to my survey on
buyer demographics. It's a small sample of the buying population,
and no doubt it is biased toward my own network of buyers, students
and followers. Although I did have one billionaire - really! -
cruise through the Campobello Island gallery a few years ago and buy
a truckload of paintings, she's at the far end of the bell curve.
With that in mind, here are some interesting statistics, starting
with what people are buying:
Over 87% buy landscapes. I am, after
all, a landscape painter! But each of the other categories -
abstract, figurative and still life - had approximately a 20% share.
(You'll note that some questions end up with more than 100%; these
allowed for multiple responses.)
Over 62% buy impressionistic work.
Half buy "somewhat realistic" work" and and nearly a
third "expressive" work. A tiny percentage, 4%, buy
photo-realistic work.
A strong majority of 73% purchase work
that evokes a mood. A little over a third buy because the work
evokes a memory of a particular place. Nearly half buy work that
they want to study in order to improve their own painting skills.
Whether a painting had bright or muted colors didn't seem to matter
so much - 15% or less responded positively to this question.
Now let's look at who's doing the
buying.
More than 82% of respondents are 50 or
older. Twelve percent are 70 or older. Only 2% are in the 21-29 age
group.
Over 70% have only a bachelor's degree.
Over 30% have a graduate degree.
Nearly 70% are employed. About a
quarter are retired. Of those employed, over 70% are self-employed.
Surprisingly, nearly 75% of those employed are either full-time or
part-time professional artists.
Slightly more than 86% of the
respondents buy one or more paintings a year. About 14% have never
bought a painting. Two percent say they haven't and probably won't.
So what does all of this mean?
The average painting could be described
as an impressionistic landscape that evokes a mood.
The average buyer is over 50 with at
least a college education and is self-employed as a professional
artist. He or she buys at least one painting a year.
Now the question is, Should this data
guide me in my future work and the marketing of it? I'd be curious
to hear your thoughts.